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The psychology of her tormentors is not the only weapon she has. Later there is a devastating moment of something close to sisterhood when the gagged Vicki nods towards the floor, where her underpants have been flung, so Evelyn can see what happened with John while she was out of the house. “He’s just using you,” she whispers to Evelyn.

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It is in this crack that Vicki sees some hope.

However, Evelyn is uneasy John’s insane fantasy: she’s jealous of the schoolgirls he abuses, and she has two estranged children of her own (the bedroom prison has boxes of toys in the closet and strange, frightening childhood figurines on the dresser.) When she makes John’s breakfast, she ensures the pieces of toast are lined up exactly later, we see scars on her back that are never explained because they don’t need to be. She is dependent on him it’s a sick love and their complicit smiles when Vickie is securely trussed and gagged is one of the most frightening things in the film. But he’s lord and master to Evelyn, whom he has been grooming since she was 13. He’s a weak sadist whom we see being bullied by neighbors for all the noise coming from the house - some screams can’t be muffled - and by some local toughs to whom he owes money. In John and Evelyn, she has become part of a different, evil household, and a different, evil kind of ruin. I’m not sure if she actually says “You ruined my life,” but she almost does. Vickiehas run away from home because her mother (Susie Porter) has just separated from her father and they live together in fraught disharmony. Vicki’s terror infuses the rest of Hounds of Love, but first-time filmmaker Ben Young builds into his story a complex undercurrent of personalities and themes. They grab her, drag her into a room with boarded-up windows, and chain her to the bed, all to the lush orchestration of the Procol Harum tune Knights in White Satin. They offer a lift to Vicki (Ashleigh Cummings), a teenager who has sneaked out of her house to go to a forbidden party. John (Stephen Curry), a skinny intense kind of monster, and his wife Evelyn (Emma Booth) are driving around, looking for young woman to abduct and kill.

#Hounds of love full movie movie#

The movie is set in Perth in December 1987 (it echoes a true-life case of the time). A man will enter a room and close the door, and in the next scene, a woman is lying in bed with a bleeding mouth. Like the 2015 film Room, it’s mostly through hints - but also, it should be noted, terrifying screams that wrench your heart - that we see what’s going on. We’ll pause here to allow the less committed cinephiles time to leave the room, although it helps to know that most of what we see in Hounds of Love is similarly elusive. It’s commonplace and common the killers take their shoes off at the door so they won’t dirty the carpets.Ī blur of scenes follows: a slow walk into a room, bloody towels on the floor, a dildo, a woman washing sheets and hanging them on a line, a man walking into the woods and digging a grave. An animated version of A Christmas Carol is on TV. Then we come to a boarded-up house near the airport - planes overhead are one of the tropes of Hounds of Love, signifying escape, perhaps, or just bad neighborhoods - with locks on the inside doors and windows. The camera caresses their legs and breasts. The first is a super slow-motion pan of a group of girls skipping in a playground. It begins with several frightening scenes. On the other hand, it is also a very accomplished movie that raises deep and haunting issues about family, manipulation and guilt. You can find more information on this Australian film on Wikipedia, IMDb and Rotten Tomatoes.Any discussion of the Australian movie Hounds of Love should start with this caveat: this is a horrifying and disturbing film about the abduction, torture, rape and murder of schoolgirls. Wonderful Cinema strongly recommends you to not ruin the impact the director meticulously planned for you by watching trailers or reading spoilers.

Nuanced, spellbinding performances by Emma Booth and Stephen Curry lift this common tale out of the ordinary and into the sublime. If you can take the pain, you will be rewarded with a fascinating insight into the dynamics of the dysfunctional love and power struggles between a psychopathic couple. You’ll need a strong stomach and nerves of steel to watch Hounds of Love. That is not to say that first-time Australian director Ben Young pulls his punches. This brutal, unforgiving psychological drama sets itself apart from mainstream horror schlock by giving precedence to the complex relationship between the husband and wife perpetrators rather than their shocking crimes.